Albert , Sidney. Bernard Shaw : The Artist as Philosopher The Journal ofAesthetics and Art Criticism , 14 :4 (1956 , 419-438In Bernard Shaw : The Artist as Philosopher Sidney Albert s main point is as follows : that Shaw consciously and proudly donned the mantle of the philosophical poet , singing to philosophers and savage philosophers from his dramatic scores (419 . This is primarily supported through his insight psychology of the character of Don Juan , who speaks on everything from life and applaud to , of lean , local politics .
A major assort of the cope for Albert involves how much Shaw has to sacrifice some of the philosophy for imposture - subsequently all , the man is writing a accept and not a philosophical screed , so some things mustiness be sacrificed for others to flourishUltimately , Albert concludes that as artist , Shaw set out to enlarge and demo in his dramas both the frailty of men and the failings of club which stymie human development and that he went on to send word to us that we have great potentialities , and a pressing lack , for returns (437 . In this sense , the art versus philosophy debate takes on a meta-textual dimension , as the image of Shaw as feeble philosopher represents the idea that his philosophy needs to be perfected , as does the men for whom the philosophy is intended . In this sense , Albert s conclusion renders the debate mostly moot - it is not a production of art cont ending philosophy , but art serving as a med! ium for philosophy . It is...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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