Influential Composers Of The Late 20th Century Essay -- Music Musical

Influential Composers Of The Late 20th cytosine Composers techniques matured throughout the 20th century, as did listeners ears.Thus, it becomes progressively harder to pinpoint important medicamentians.One must distinguish between those simply continuing the modern tradition, and those rattling breaking barriers. Robert turncock, dubbed Hendrix of the flute is one obvious boundary-breaker. (Dick)Born in New York City, Dicks studies at the School for Music and Art were supplemented by lessons with acclaimed flutists atomic number 1 Zlotnik and Julius Baker.He attended Yale, receiving a B.A. in 1971 and a composition Masters in 1973. Dicks most nonable contribution to music is his revolution of the flute.He realized the flutes limited color pallet and one-note-at-a-time capability was incompatible with an environment where the pace of change is acceleratingThe flute audio recording of the future will be yet more powerful and prismatic (Dick).Inspired by world music, jazz, r ock, and electronic music, Dick made accessible the bleached extended technique spectrum jet whistles, harmonics, throat tuning, multiphonics, whisper tones, circular breathing.Dick did not INVENT all these techniques.( notice breathing has been a long- accomplished traditionespecially for Bulgarian kaval flutes and Rajasthans Narh flutes).But, it is through Dicks advocacy that these techniques are comely accepted practice.His tutorial method books have been hailed the definitive instructor (Dick). Circular Breathing for the Flutist provides precise analysis of the technique, visual aids, and step-by-step focusing that focuses on developing correct embouchure before applying more detailed coordination.After only 6 months of daily 10-15 minute practice, f... ...t to his/her time.Rent, the modern version of Puccinis La Boehme, unabashedly brings hush-hush issues of AIDS, drug addiction, and homosexual relationships to the forefront, without alienating audiences.He juxtaposes mov ing melodies and clear harmonies with jarring subject matter and explosive characters that choose to relish in love, pain, and survival.Larsons contribution shows that being artistically cultured does not mean ignoring reality. Of the three New Yorkers mentioned, Copland was most influential.Without his pioneering music in the archean half of the century, American music might never have established its own flavor.Without his advocacy of advancement in the second half of the century, techniques such(prenominal) as Robert Dicks or Jonathan Larsons might not have had such a strong base on which to be established nor been accepted by ever-maturing audiences.